"The single best Rush video out there. A wonderful 3
camera mix with great video and audio quality. It doesn't match up
against the awesomeness that is the official release R30, but it does have
the advantage of being a complete show." 'Nickeh'
Chris M.
Taper's Notes:
I'm standing in Grand Central Station. The place is huge, the ceiling almost
turns into the sky it's so high. I can't believe I actually made it here.
The last 10 days have been spent driving more than 3,500 miles alone and
hanging out with 60,000 or so people in Coventry, VT at the last Phish
shows. The last 5 days have been pretty much traffic (only 10+ hours getting
in), rain, mud, very little sleep, the end of an era, emotions, home
sickness, more mud, and even thinking one night I'd dropped my Rush tickets
somewhere between the shitters and my tent. It actually got to the point
where I made myself accept the fact that THEY WERE GONE. I even went back
and searched all the porta-potties I thought I might have been in hoping
they weren't in a cesspool of ass and funk. Turns out I'd put them in my
truck because I knew I'd end up losing them.
But all that behind me, I'm here in NYC for the first time ever.
It's crazy, this place doesn't stop moving & there's this hum, it's a
constant, like the whole city is plugged in somewhere. I find my room & soon
realize that it is just a few blocks from RCMH just like they told me it was
on the phone back in Portland. Even if I get caught sneaking my gear in I
can still run back to my room & make it back in time for the show.
Wait....the show....it starts in a few hours, better get ready. I hunt down
the closest liquor store I can find and buy the most expensive bottle of
cheap Vodka I've ever had. That's OK, I made it here, and it's all worth it.
I crotch all the gear just like I learned at the Leegeddy School of
Stealthing which I graduated from just a few weeks earlier while on vacation
in So. Cal hanging out seeing Rush and Ozric Tentacles. I still can't
believe such little mics record such big sound. What's great is that at the
door both nights they paid no mind to me or anyone else, come on in, and
enjoy the show. Get set up in the bathroom and take my seat on the rail of
the second mezzanine for the first night, directly in front of the stack on
Geddy's side, on the floor the second night in front of Alex's stack 14 rows
back. Make friends with my neighbors and let them in on the little secret
and just wait for the show to start.
LOUD. What? What was that? I said LOUD! It's @#%$ LOUD, my ears are
bleeding. Right on....I like clouds too.
Having seen 2 shows already and knowing what to expect I was thoroughly
impressed at how into it the boys were. This however pales in comparison as
to how pumped up the crowd was and that just pushed them to play harder.
There was a time in Vermont where I actually gave up on coming to these
shows becuase I was so spent. But, a good nights sleep in a little out of
the way motel room somewhere near New Hampshire made all the difference in
the world, and I remember thinking how pissed I'd have been if I hadn't
come. Everything was on both nights, the band, the crowd and the DAT!!! I
was so happy to be able to tape these shows, I was completely out of my
element and running gear I'd never used before with the exception of my D8.
These shows felt so good to be apart of, they weren't just concerts, they
felt more like a homecoming of sorts. There wasn't a single person in that
place that didn't truly want to be there, and it felt like you were just
hanging out with a bunch of friends watching one of your favorite bands play
your favorite music.
I actually haven't heard these tapes, I mailed them off on the way home
somewhere in Nebraska so leegeddy could work on transferring and EQ'ing
them. Do they sound OK? I hope so. If not, you drive cross country to tape
Rush, see if I care.
I already did it. No..... you shut up. No..... you're a stupid head. Nah-ahhhh....
I'm telling Mom. (2004-10-23)
leegeddy
The master DAT had 2 problems: 1) a very short burst of digi-noise during
Cygnus X-1 portion of the R30 Overture and 2) Outro was missing. These
problems were remedied with portions of the next night's performace from the
same venue, although from a different taper location.
Remastering included minimal EQ (mid cut, bass and high end boost),
amplitude adjustments and normalization to 0dB. No dynamic compression nor
other processing were done to the recording. The recording is wonderful with
much warmth in the bass and good midrange punch. It's hard to fathom that
this recoring is from the 2nd Mezzanine level of the venue. Much kudos to
the taper for a fine recording as usual and for taking care of my recording
gear.
In addition to the standard fatboy (triple or quad) jewel case artwork, I
have included the "Project R30: New York - Boxset" covers. The boxset
consists of this show (BBP 2004-24) along with the next night's recording (BBP
2004-25). You can make a fatboy 6cd case by using a quad and 2 doubles.
Also available as an Audio-DVD (16bits/48kHz linear PCM soundtrack) by Duley
Digital.
Please do not convert to MP3 or other lossy formats and TRADE FREELY. (2004-11-10)