The Digital Dan
(Audio - 9)
This is the even fuller soundboard from the infamous Tucson show. This
show is actually an amalgamation of several sources using the best source
for the overall show and filling in any problems or adding extra material
from other sources. Many of the bootlegs from this period have captured the
part where Neil is warming up on the drums while music is playing over the
PA. For the first time that I am aware of, we get to hear the actual song
that is played before the band takes the stage. It's rather interesting
music to start off a Rush show with to say the least. The sound changes
right before the line "With our people left..." through the section right
after "My ship Rocinate..." line in Hemispheres, and then sound changes back
to normal. That was present in all four sources I had for this show. The
section of Hemispheres that was cut (Dream Sequence) was filled in from the
same section of the Detroit '78 soundboard. Being only 13 days apart, the
performance was virtually identical and the sound close enough to make a
fairly seamless transition. If you are a purist and this bothers you
greatly, I would suggest going with "Every Soul's a Battlefield" which is
another fine production of the full soundboard with almost no treatments to
the raw source. But if you are a semi-purist, you'll be happy to know that
no noise reduction was used on this production. At the end of the show, two
bonus tracks were included, "Something for Nothing" and "Cygnus X-1". Both
originally appeared with the Frankfurt '79 source, but became apparent than
these two tracks do not belong to any of the known soundboards from this
era. Therefore they are a kind of "mystery" as to where they come from.
The performance itself is quite excellent and also very unique. The extended
intro is interesting, though not remarkable in and of itself. The problems
with the crowd are further expounded upon by the venue management after
Geddy is unable to gain the cooperation of the massing crowd. Cygnus X-1 is
finally presented in an uncut format. And we finally have the rest of 2112
and the encores. Geddy has a little fun with Lerxt in the Working Man
lyrics. Then the soundman decides to do some interesting things to the sound
of each of them during the Medley. Geddy's vocals are changed considerably
during "In the Mood" and some of the effects on Neil's drums are quite
interesting in the Drum Solo. All in all the definitive Rush concert. Many
thanks to Rubicon for donating one of the sources used, and many thanks to
the others that donated sources, but wished to remain anonymous. As with all
Digital Reproductions releases, this is for free trade or blank media trade
only. If someone is trying to sell this show, they are trying to rip you off
and profit off the work of others. Please visit the DRE Newsgroup to find
other Rush fans that will gladly trade the show for free.
Ron's Rush RoIO Review
(Audio - 8)
If there is ever an award for the most-often-upgraded bootleg, this one
is sure to win. This show has gone from a partial, distorted source to
finally (in May 2000) the full, glorious-sounding show. Amazing how much
better a bootleg can sound when produced properly! My first exposure to this
bootleg was with the "Cygnus" disc. The difference between that boot and
this source is like night and day. This is a remarkably clean bootleg that
came straight from the soundboard. The sound is nothing short of stellar –
you can hear every nuance of the band's playing here. It's especially sweet
to hear Alex's guitar here, as he seems to have attained the perfect effects
balance on this night. The show is also a bit unusual in that Geddy delivers
a severe reprimand to the crowd, who apparently is pushing quite a bit at
the start of the show. Interestingly enough, this tape reveals that one of
the road crew (Skip Glidersleeve? Liam Burt?) also asks the crowd to move
back. This was deleted from every other source. The only real flaws are a
cut in the middle of "Hemispheres" and at the end of "Cygnus X-1." Even
considering gems such as the 12/2/78 and 5/28/79 soundboard shows, this one
gets my vote for the best sound.